Toutes peintures ā l'huile d'Alexander Adriaenssen


ID Image Painting(From A to Z)    Details 
75659  
Alexander Adriaenssen, Fish and Dead Game
 
 Fish and Dead Game   1643(1643) Oil on canvas 87 cm (34.3 in). Height: 58 cm (22.8 in). cjr
77466  
Alexander Adriaenssen, Fish and Dead Game
 
 Fish and Dead Game   1643(1643) Medium Oil on canvas Dimensions Width: 87 cm (34.3 in). Height: 58 cm (22.8 in). cyf
28096  
Alexander Adriaenssen, Still Life with Fish,Oysters,and a Cat
 
 Still Life with Fish,Oysters,and a Cat   mk61 Oil on panel 60x91cm
76329  
Alexander Adriaenssen, Still-Life with Fish
 
 Still-Life with Fish   Date 1st half of 17th century Medium Oil on oak panel cyf
75898  
Alexander Adriaenssen, with Oysters
 
 with Oysters   Date 1630s Medium Oil on oak panel Dimensions Width: 36 cm (14.2 in). Height: 44 cm (17.3 in). cyf

Alexander Adriaenssen
Flemish Baroque Era Painter, 1587-1661 Flemish painter. He was the son of the composer Emanuel Adriaenssen and brother to the painters Vincent Adriaenssen (1595-1675) and Niclaes Adriaenssen (1598-1648/9). In 1597 he was apprenticed to Artus van Laeck (d 1616) and in 1610 became a master in the painters' guild. In 1632 he took on Philips Milcx as apprentice, and in 1635 he painted the coats of arms of the 17 provinces on the triumphal arches in honour of the new governor. Adriaenssen's many signed and often dated oil paintings on wood and canvas are all still-lifes, mainly of food on tables with copper- and tinware, glass and pottery (e.g. Still-life with Fish, 1660; Amsterdam, Rijksmus.). There are four paintings of vases of flowers, but vases of flowers, as well as single flowers on the table, also appear in other still-life combinations. Only two canvases are known in which he worked with figure painters: a garland of flowers around a painting of the Holy Family (Ghent, Paul Boterdaele priv. col.) by Simon de Vos and a porcelain bowl of fruit beside a Virgin and Child (ex-Gal. 'Den Tijd', Antwerp, 1982) attributed to a follower of Rubens. His compositions are graceful and balanced but somewhat stereotyped, and they are bathed in a soft chiaroscuro.



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